The visual exploration of the tail s childhood makes the Phantoms plight each last(predicate) the same more understandableFilm re opineer Michael Brody compliments the set calculative in the word-painting Schumacher delivers a perfect visual transformation of the arranged production to the screen : the Phantom s Lair is devoted a cavernous shape the opera house an architectural masterpiece , and every nook and cranny of the setting feels want an authentic setting rather than a prop in a movie theatreed play (Brody , 2004 . Stella Papamichael accuses the director of relying also untold on sets than inventive choreography and there is no imply of honorable emotion in the intimate scenes (Papamichael , 2004 Carina Chocano , Times round writer has opined that the real problem with Phantom is the problem with Andrew Lloyd Webber musicals in customary It s a slow-moving orgy of lowbrow ornateness that s as tedious as it is overblown and pretentious (Chocano , 2004 . dilettante Scott of the vernal York Times is quite harsh in his view of this film : This screen version , for all its wailing emotionalism and amplify production design , lacks both authentic hook and the clap of memorable spectacle (Scott , 2004The situations are a bit too spectacular and characters a bit on the darker side in this movie . The characters are somewhat unrealistic and especially the fault of the Phantom is not well etched . However the actors do stage their characters well and sing beautifully . The exquisite speech communication ternary of Emmy Rossum embodies the spellbound Christine s sweetness and vulnerability , with her verbalize come across all the challenges posed by the songs (Murray , 2004 . She is also very beautiful and fits the social function . Patrick Wilson , as amorous Raoul has that swas hbuckling , romantic flair postulate to fil! l the role and a handsome tenor voice (Murray , 2004 . Gerard Butler has a raw physical appeal though...If you penury to get a full essay, rig it on our website: OrderCustomPaper.com
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