Macbeth †Hunger & Humility Essay

Some say that when offered power, a man would do anything to get it. For example, when Hercules finds pop he is a god he didnt even have it away his have got strength, and he mappingd it in ways that other throng didnt believe were very helpful tho soon prove them wrong when he grew up and became more mature and powerful. Hercules wanted to use his newfound power for the well-being of others however, Macbeth had other plans for his use of power. In William Shakespeares tragical novel, Macbeth, a brilliant peacekeeper, Macbeth suffered from the same problem that befell many of the tragic Greek heroes like Oedipus. Despite his eager and insightful vision he is unable to see himself or the future as clearly as he sees the battlefield before him. Macbeth proves in the story that he is a warrior model, ambitious, arrogant, and masculine all to a fault.Ambition, the hunger for the purpose-driven achievement, retains Macbeth to stunning extremes. At once intoxicated with his own s lyness, he decides to stage a rebellion of his own, and to take the throne promised him by the Three Witches. Stoked by his wifes unkind passion, he reaches his high point and melts down thereafter. But screw your courage to the sticking-place, and well not fail. When Duncan is asleep where to the rather shall his days hard move around soundly invite him his two chamberlains will I with wine and pledge so convince that memory, the warder of the brain (I.VII. 60-65). Hunger turned ruthless, he finds he has little taste for absolute murder in cold blood, no matter how many he has slain in his path. Confused and press towards action, he must engage in dishonesty following the denudation of Duncans death, leaving him caught up in self-doubt shortly after. His consultation has dreaming, yet lacked the ability to understand the trace of what acting on that ambition may have meant. Others, knowing him as they did, took advantage of him, leading Macbeth to go on a rampage.Arrogance plays a large role in this play, driven by confidence and internal conspiracy. Also, defined as an violative display of self-superiority, here we may take arrogance as a confidence absent the ability to self-affirm. This definition can be seen in many scenes throughout the play. As mentioned before, Macbeth had the courage to commit the deed that started it all, but only when traumatized by his wife. After her support edged away into a nervous craze, he himself falls into doubt, despair, and ultimately a reckless grade of destructiveness. It can be seen again, when the Three Witches play upon his ambition and arrogance, hidden promises slip through the light armor of his doubt to play upon his hearts desires. A snip when the lack is most clearly seen is when Macbeth drives himself mad, unable to manage successfully with Banquos ghost. Behold Look Lo How say you? Why, what care I? If thou canst nod, speak too (III. IV.70-71). Unable to confirm his feelings when none but he can see what infect him, he collapses. Seeking support, he finds that the best option is to return to his element and bring himself back to the battlefield, where he can die gloriously doing that which he was always best at. maleness was Macbeths trademark as the standing alpha male. In this case, masculinity has a collection of traits and habits surrounding it. As the alpha, there are expectations to be met from others, a responsibility to those in his company, and dominance to be maintained for his own sake. Given his arrogance, ambition, and masculinity, he uses these traits to emphasize his character onto the world around him. Assertion, and close to never careful judgment, is his primary tool in the performance. Due to this, Macbeth is woefully unprepared to deal with the events happening around him after his wife dies, whose endowment what he lacked. She should have died hereafter there would have been a time for such a word. Tomorrow, and tomorrow, and tomorrow creeps in this p etty tread from day to day, to the last syllable of recorded time And all of our yesterdays have lit fools the way to make cleany death. (V. V. 17-23). As his reliability dies, doubt is cast upon him both by others and himself. The outstanding lord remains unable to turn his once-sharp nous inward to look at and create himself, or to moves desperately on, and it is well-nigh too difficult to watch none enjoy seeing great men fall to their death, especially Macbeth.Macbeth makes the tragic figure in that he embodies all that is typically asked for in a great hero. He has a sharp ambition that drives the action, pride for years on well-deserved honor, and the ability to cast him with the strength needed to uphold the sensational shine around him. And therefore as the story progresses, because of the same things those we so admired him for, it all turns to dust in a flood of desperation. Unable to manage his emotions or tone his actions, he is then incapable of dodging or deflec ting the consequences that drove him into the aim and over the edge. Macbeth therefore shows that he is a warrior model, ambitious, arrogant, and masculine all to a fault. It is tragic, and it is also heroic, and this is what truly makes Macbeth the perfect example of a tragic hero.